Juxtapositions Can Make Great Sentences

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great sentences

A great way to transmit interesting ideas is through the contrast of two very different things, i.e. a juxtaposition. Contrast is one of the most powerful elements in storytelling and works just as well in a single sentence.

There are countless ways to write a great sentence. A great sentence might have a combination of wonderful words, a pleasing rhythm, breathtaking imagery, or innate cleverness. It could tell a joke, evoke a playful wordplay, or contain an important fact.

A great sentence could be a line of dialogue — or a maxim or aphorism. But in the end, the power of a sentence lies in its core idea.

A great way to transmit interesting ideas is through the contrast of two very different things, i.e. a juxtaposition. Can something be hot and cold at the same time? Or good and bad? What does this really mean?

Juxtaposition

Contrast is one of the most powerful elements in storytelling and works just as well in a single sentence.

If you juxtapose two things, you place them in opposition to each other. You could juxtapose two apples, but how might they differ? Apples and oranges are a common comparison, and meant to be different, but they are still fruits.

Juxtaposition is a literary device and rests on the creation of paradoxes. It can be about polar opposites – the extreme ends of a continuum. The greater the contrast, the greater the effect of the juxtaposition.

Juxtapositions allow authors to state that more than one thing is true at once — best and worst, wisdom and foolishness, belief and incredulity. How does that work exactly, to be two things at once? This built-in intrigue that makes our minds scrabble to try to work it out is exactly what makes juxtapositions so fascinating and attention-grabbing.

Examples of juxtapositions in sentences

There is perhaps no sentence in a book as important as the opening one, and there are plenty that include juxtapositions. Here are just two examples.

The opening of The Princess Bride by William Goldman reads:

This is my favorite book in all the world, although I have never read it.

The classic opening sentence from a “A Tale Of Two Cities,” by Charles Dickens, uses juxtapositions in serial:

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair…

Look down this list of famous opening sentences and see how many more you can find.

If a juxtaposition is good enough for an opening sentence, it can be as asset anywhere in your story. Here is a collection of the best juxtapositions from the book, Pachinko, by Min Jin Lee, the story of four generations of a Korean family surviving hardships in Japan.

He liked this quiet spot beneath the tarpaulin awning on the busy intersection.

Yet the more she inquired, the more reticent he grew.

The professor tried not to show that she was hurt by this defection, but of course, she was.

She smiled, not believing him but wanting him to be right.

I can’t believe my parents are dead. In my dreams, they seem alive.

The child hadn’t realized how much he’d missed his father until he returned.

…he was the clean wrapper for a filthy deed.

There were so many things he had failed to do. There were even more things he should never have done.

In Tolstoy’s classic, Anna Karenina, Levin is feeling out of sorts. It’s the night before he’s about to ask his love to marry him. Tolstoy writes:

He had eaten scarcely anything at dinner, had refused tea and supper at Sviazhsky’s, but he was incapable of thinking of supper. He had not slept the previous night, but was incapable of thinking of sleep either. His room was cold, but he was oppressed by heat.

A juxtaposition can even be used to deliver a major plot point. Here’s a juxtaposition that holds one of the most important moments in perhaps the most celebrated of all the Greek tragedies. In Sophocles’ play, Oedipus Rex, the messenger arrives with the message that Oedipus’ father has died.

Messenger: I’ve come from Corinth. I’ll give you my report at once, and then you will, no doubt, be glad, although perhaps you will be sad, as well.

Jocasta: What is your news? How can it have two such effects at once?

Jocasta sums up the wonder of a great juxtaposition, the classic “good news and bad news” scenario.

In this case, the good news is that Oedipus is now king of his hometown. The bad news is that the messenger found him as baby left to die and he’s adopted. The truth is about to come out that Oedipus killed his father and married his mother.

Standout sentences

Juxtaposition is but one of many literary devices authors use to add pizazz to writing. It’s extremely powerful: placing two contrasting things — or opposites — side by side can build rich images and meanings.

Open any book and you’ll see juxtapositions everywhere. Different authors use them with different frequencies. The trick is to use just the right number to make them truly stand out.

Look for juxtapositions in the next book you read. How far from the beginning do you have to go before you discover your first example? How frequent are they? Why are they used?

Is juxtaposition a literary device you use? What other devices do you use to write standout sentences?

The End

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3 COMMENTS

  1. This is a great addition to the related posts about sentences. I’ve often wondered of the questions you ask of readers/fans; if the answers get used in your articles. This time I clearly see you have. Didn’t know it was called juxtaposition. I love statements which can have two meanings, the good news as well as the bad news,a paradox or an unexpected opposite result to a positive start. (or vice versa) Sometimes its written deliberately but sometimes not. Once, I realized after I’d written a chapter, I had done this unwittingly. The first sentence described the sun shining confidently. (confident picturing the way the protagonist felt as well.) His plan would surely be successful. But . . .it failed. When he left, he had been so overly confident, he minimized his failure with an interpretation of events which could have been true but wasn’t. The same thing could have been written in a literal way but wouldn’t have the same impact. Confidence versus failure is more interesting than apprehension versus failure. I try to think of ‘juxtaposition’ in terms of subtext. When someone thinks or knows the opposite to what they are saying, yet what is said exactly means both. No lies told.

  2. Thank you, Dawn, for reminding me of Charles Dickens wonderful book, A Tale of Two Cities. I recall reading it when quite young and being very moved by the words you quoted. What a fascinating ‘calling’ you have (it’s much more than a job…) My ageing ‘grey matter’ could be a lot sharper and I dare to call myself a writer…but I do love words. I have written a passable, modest tally of seven books but would, doubtless, be critical of them if re-read. i also write a weekly column in our local newspaper on behalf of Writers’ Ink, and juxtaposition is an excellent topic to discuss. Thank you; a fascinating article.

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