A New Patron Age For Authors

patronage for authors

Patreon is a modern-day patronage system that’s so useful, you’d think Michelangelo had invented it himself. But can it work for independent authors?

In 2013, Jack Conte of the indie music duo Pomplamoose started Patreon, a new entry into the crowdfunding platform space that adds a twist borrowed from centuries past. Rather than set up a campaign for a single project — like a record album or a music tour — artists ask their fanbases (who already love the artist and his/her work) to participate in a new level of engagement – that of a patron.

Fans agree to pay a recurring (typically monthly) micro-sum of their choosing (from options offered) in return for different packages of engagement perks ranging from early access to content (pre-public release) to discounts on show tickets to exclusive, unreleased content. Patreon has a number of newer features and integrations with other programs that allow users to monetize content and do many other things that help automate administering benefits, grow their fan bases, and promote their work.

Quoting from one of my former publishing company’s own titles, The New Rockstar Philosophy, in its chapter on “The Nano Rockstar,” authors Matt Voyno and Roshan Hoover describe the idea this way for musicians in particular: “With a die-hard fan base of very few, it’s possible, using a subscription model, to earn a comfortable living and continue to make your music.”

But the concept doesn’t just work for musicians — anyone who creates something that can be shared on a regular basis can take advantage of this model: authors, dancers, bloggers, painters, photographers, cartoonists and illustrators, to name only a few.

How it works

As an author (or artist of whatever stripe), you ask for patrons to pledge recurring payments and agree, in return, to earn that patronage by sharing your newest content before others see it, give exclusive access to unreleased material, release videos to your patrons related to your work, or any number of other related benefits. Patrons have the satisfaction of knowing one of their favorite creators continues to work, or is able to work more, in part because of their monthly support.

What does it cost?

Patreon has three tiers of plans (Lite, Pro, and Premium), which charge between 5-12% of the income you generate on the platform. It can be a bit higher than other kinds of crowdfunding platforms, but the system is set up specifically to support the subscription model for creators, unlike traditional all-purpose crowdfunding platforms.

If you’re an indie author trying to figure out if the membership or subscription-based model is for you, here’s a handy guide by blogger Orna Ross.

Creative cash flow

The more fans who sign up willing to pay small increments ($1, $5, etc.) per month to you, the more you create a sustainable monthly cash flow that allows you to pay bills and do your art. Say you’re a writer who needs to pen a novel this year and your cash flow needs are $3,000/month. You’ll need 1,500 patrons at $2/month, or 3,000 patrons at $1/month, or some combination that gets you to that total. Of course, if you have items of greater value that you can regularly provide your patrons, you can ask for larger monthly sums and get to your monthly goal with fewer patrons. You just have to be able to live up to your end of the deal and provide content that matches the value of the patronage.

But does it work?

In its first year, Patreon distributed over $1 million to its artists, with some of the most popular ones making more than $100,000. In May of 2013, Michael Wolf (Forbes) wrote: “[Patreon’s] marketplace currently includes 50,000 patrons and 15,000 creators, with one-third of creators also falling in the patron bucket – giving financial support to other artists on the platform.”

Those numbers have exploded in the six years since. Today there are 138,566 creators on Patreon who are being supported by more than five million individual pledges by more than three million patrons representing nearly $13 million per month in payouts.

Pretty impressive numbers, but like all forms of crowdfunding, it isn’t as easy as “build it and they will come.” You still have to cultivate a crowd who appreciates your work before you can ask them to pony up their credit card number for monthly payments.

Creative accountability

As a content development coach, I like the accountability and consequences this kind of model automates for the creator. In Patreon’s model, your patrons’ credit card charges can be triggered by your content posting, so if you don’t create anything new to post this month, they don’t get charged and you don’t get paid. In other versions of the model, you can choose to be paid a certain amount monthly for update reports on development of work, but you’d better ensure those updates happen and samples of the work get shared or your patrons may lose the faith and find other artists to support.

And speaking of accountability, after nearly a decade of coaching my author clients on crowdfunding, I’m finally doing my own campaigns, starting with my own Patreon account.

Other options

Patreon has been the kingpin of the creator membership-based business model until just recently, when word started to spread that major content aggregator platforms like Facebook and YouTube were starting to develop similar features. There is a great analysis TechCrunch‘s Eric Peckham that tells all about what these giants have been doing.

So, while Patreon is the most comprehensive creator-focused membership-based crowdfunding option now, it might not be the only game in town for much longer. Are you ready to test the waters?


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  1. is this really any different than selling subscriptions to a magazine?

    we all know that model is failing now with the few exceptions of very detailed focused information in very specific narrow subject areas eg newsletters for oil investors

    i fail to see how this patron attempt can succeed

    • Hi, Jedidiah,
      Sorry for the late response; I don’t get notifications when there are comments and don’t come here regularly. While Patreon is a subscription format, I wouldn’t say it’s otherwise analogous to selling magazine subscriptions. With a mag subscription, you prepay for a specific set of published content that is generally commercially published. The only advantage you have over others who might purchase the magazine in a store is that you get it delivered to you.
      With Patreon, patrons have access to a wide variety of perks as long as they patronize the artist. It might be exclusive content, sharing of upcoming work before it’s published, involvement directly with the artist on a variety of levels and even involved in content development or choices made. There literally is no end to the creative ways that patrons are engaged with their artists. That helps develop a strong community of supporters (whether large or small) that produce an income that helps the artist pay bills while they’re developing content. And it is not a “failing” model by any standard I can see. Patreon have sent content creators more than half a billion dollars to fund their membership businesses in 2019. More than $1 billion will be paid out to creators since the company’s inception in 2013. There are more than 3 million patrons supporting more than 100,000 creators on Patreon. Here’s a business analysis done recently on TechCrunch if you want to dive more into a third-party assessment. https://techcrunch.com/2019/02/12/patreon-business/
      They are looking for corollary services and businesses to enhance and diversify their revenue, for sure, but on the creator side, there is no sense that it’s ‘failing’. Yes, there are those who come to the platform with no established fan base and expect to create one on Patreon, and fail, but that’s not what the platform is meant to do. You need an audience base to start with – just like most other marketing strategies.
      Oh, just for the record, I will comment that I have no relationship with Patreon regarding this article, and they had no idea I was writing this.
      I hope that answers some of your questions, Jedidiah…

  2. We’re definitely using Patreon to much success! We’ve been able to leverage the platform into a digital fiction magazine and short fiction podcast, and generate some reliable monthly income. It’s one of the smartest choices we’ve ever made as publishers.

    • Atlanta Writes: This article was by me and not published on your site, as far as I know. I clicked on your link and got a 404 error message. If it was published there at some point, it was without my permission. Or it was the same headline by a different author.


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