Will the coming generations receive most of their entertainment through visual means rather than through the written word, and will such a proliferation of narrative film/TV reduce the importance of reading?

As a longtime practitioner of the art of fiction writing and a committed reader of the works of others, I have been thinking a great deal about the impact of the proliferating film/TV industry on the future of reading.

Having lived through the golden age of Hollywood films shown in ubiquitous neighborhood theaters in the United States with outlets throughout the world, I hadn’t given much thought to the moving images’ actual impact on the written word until recently. Although there were voices that persisted in sounding the death knell of the novel, the popularity of novels and short stories never seemed challenged by the movies.

The novelist as hero was a celebrated figure and outsized literary personalities like Earnest Hemingway, Sinclair Lewis, William Faulkner, John Steinbeck, Pearl Buck, and numerous others were accorded celebrity status and given serious prizes on the national and international scene. The competition emanating from watching films did not seem to diminish the popularity of reading.

In today’s world, visual storytelling of every conceivable variety is a worldwide staple surpassing in scope and volume what was churned out in Hollywood in its golden age and what was available on network television in the days when only a few select networks dominated the media.

As the international demand for narrative film/TV content continues to soar with popular streaming services like Netflix and others, the two questions then become: will the coming generations receive most of their entertainment through visual means rather than through the written word, and will such a proliferation of narrative film/TV reduce the importance of reading?

Growing examples of this trend include the diminishment of fiction in the common core curriculum, the ever-rising culture of computer games, the tsunami of streaming services of enormous international reach, and the blockbuster movies filled with special effects geared towards children and teenagers. Nor must we ignore the economic dangers that lie ahead for the written word. The narrative film industry is a moneymaker that dwarfs the publishing industry currently in the throes of financial revolution and disorder. As the distribution channels of the written word lose traction, the danger to its economic survival will become more and more evident.

Does it matter?

The other underlying question, of course, is does it really matter if the written word bows to the world of film/TV? From my perspective, any diminishment of fiction delivered by words is a loss for mankind and must be confronted.

There is no greater human attribute than the imagination. It lies at the very soul of the human species. It is the brain’s most powerful engine. It is the essential muscle of life and, like all muscles, it must be exercised and perpetually strengthened.

Writing and reading are the principal tools that inspire, create, and empower our imagination, without which we are bereft, muted, and lesser. Anything that diminishes that power is the enemy of mankind.

It should be known that I am not categorically opposed to the myriad manifestations of new media and technological advances. As an author who has always considered himself an entrepreneur, I have always felt it necessary to adapt to evolving technology and modes of distribution. When SONY came out with the first viable reader, I was asked to make the first pitch for its use at the Las Vegas Consumer Electronic Show in 2007 along with my friend Nick Taylor, former President of the Author’s Guild. What’s more, a number of my novels are in various stages of development for film, TV, and live stage productions. Any serious novelist and entrepreneur can relate to the desire to share their work in as many mediums as possible, reaching a wider audience. My hope is that the written word will only stand to be enhanced and complemented by its visual counterparts, not pushed to the brink of extinction.

My argument here is for a greater, not a lesser emphasis on the written word as the paramount storytelling device ever invented for human communication beyond speech itself.

Words conjure deeper, more creative possibilities of thought and interpretation than what is pre-packaged for our consideration. The heart of storytelling is the ultimate quest for “what happens next,” which motivates us to contemplate our mortality. It is the mystery of all human life, a necessary component of our existence. Where are we going? What is ahead? Is there anything beyond disintegration and the end of life?

These are the primal questions behind the idea of storytelling. The imagination is indispensible to our existence and the speculations that reside in fiction, as presented in words, are the stimulant that facilitates that projection.

I know this may sound a bit lofty, and though there is arguably somewhat of a touch of pessimism in my essay, I know I am not alone. The canary in the coal mine is singing its song of warning.

Of course, there are those who will present passionate arguments for the superiority of the moving image over the written word. Each has its place. My argument is for making the preservation of the art of the written word a priority and finding the right balance between it and the moving image.

Image via ShutterStock.com.

 

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Warren Adler

About Warren Adler

Warren Adler has written 6 posts in this blog.

Warren Adler's latest thriller, Torture Man, is now available. His Film/TV projects currently in development include the Hollywood sequel to The War of the RosesThe War of the Roses: The Children, along with other projects including Capitol Crimes, a television series based on Warren Adler’s Fiona Fitzgerald mystery novels, as well as a feature film based on Warren Adler and James Humes’ WWII thriller, Target Churchill, in association with Myles Nestel and Lisa Wilson of The Solution Entertainment Group. Warren Adler has just launched "Writers of the World," an online community for writers to share their stories about why they began writing. Explore more at www.warrenadler.com.

5 thoughts on “Are TV and Movies Killing the Written Word?

  1. Caleb Mason says:

    Thank you for these important thoughts. I find when talking with book publishing people they choose not to consider all of entertainment their competition. Like when Whole Foods realized every meal eaten near them was lost sales, so now people eat in the market. Next to the cash registers! Yet, I say, you want $30 for a new hardcover novel when I can see four big-screen movies for that price? And they keep raising ebook prices to protect their print business? No one can answer how many readers they lose to other entertainment because the prices seem too high. (I assume they use the good old 5x cost model still, not asking readers what they think is a fair price.) They are correct in that the avids (early adopters, hardcore readers) will pay a good amount. But when it comes to “crossing the chasm” into mainstream markets, we all know price matters a great deal. How much chasm crossing is the book industry actually achieving? And instead of reducing their very high fixed overheads, so they could pay authors 40-60% on ebooks priced at $9.95 (so the author would earn the same as on print at $30), they protect the towers they have built. I would do the same. But I have seen too many protected towers overrun by Huns.

  2. Wendy says:

    On the one hand, the written word may not be as obvious as it used to be, but who DRAWS a screenplay? On the other hand, we’re moving into a new multi-media world, the written word in COMBINATION with visual and/or auditory. Look at how much business there is writing content for web pages! So while the written word as a product may be a smaller part of the media industry, there’s just as much, if not more, work for authors.

  3. Warren, thank you for presenting your perspective. Film and TV – especially TV, including mobile and digital media, can seem like they are the entire world. The fact is, only about 250 feature films are produced each year. While there are many more hours of TV out there, these industries still aren’t the equal of the worldwide publishing industry. Right now, the films with the biggest chance of being produced are those made based on bestselling books. I always say that written fiction and non-fiction is the base and foundation. But you are blogging for this paid service that makes money off aspiring or self published writers, not readers. The numbers tell a different story, as does time. Books last generations, and sometimes centuries. Some stories are adapted over and over. No matter how much PR Star Wars gets – I honestly can’t see the films being watched to any extent 100 years from now. Meanwhile people are still reading any number of classic novels. Many more than have seen any one film or even the most popular TV show.

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